Ebook Modeling Life: Art Models Speak about Nudity, Sexuality, and the Creative Process

Ebook Modeling Life: Art Models Speak about Nudity, Sexuality, and the Creative Process

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Modeling Life: Art Models Speak about Nudity, Sexuality, and the Creative Process

Modeling Life: Art Models Speak about Nudity, Sexuality, and the Creative Process


Modeling Life: Art Models Speak about Nudity, Sexuality, and the Creative Process


Ebook Modeling Life: Art Models Speak about Nudity, Sexuality, and the Creative Process

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Modeling Life: Art Models Speak about Nudity, Sexuality, and the Creative Process

About the Author

Sarah R. Phillips is Associate Professor of Sociology at Pacific University.

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Product details

Paperback: 157 pages

Publisher: SUNY Press (October 12, 2006)

Language: English

ISBN-10: 0791469085

ISBN-13: 978-0791469088

Product Dimensions:

6 x 0.4 x 9 inches

Shipping Weight: 10.9 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#1,434,201 in Books (See Top 100 in Books)

I have worked as an art model on and off for about three years at art studios for life drawing classes. It was a fun and rewarding experience.I was lucky in finding reputable studios where the atmosphere was relaxed, neutral and professional. Although I modelled only on a part-time basis, it was a strenuous and stimulating profession. Make no mistake, it was physically more demanding that you'd think, and requires plenty of preparation beforehand about poses according to your physical fitness, and timing management. You want to strike poses that are physically sustainable but still interesting to draw from all angles, not just from one side, because there would be students sitting all around your "stage."This book is an interesting glimpse into the world of art modelling, something that I empathise with and enjoy. While the dates of the interviews might be a little old, they still ring true. I would have given this book 5 stars if the interviews were conducted with models in more than one locale. But all in all, it gives anyone interested in this profession a good introduction and idea of what it is about, and why models keep doing it.

I think this book is worthwhile if you are interested in the subject. Some of the people are very interesting and some have nothing to say but you can just skip over that. Don't expect anything really racy or surprising unless you're surprised by how hum drum this kind of modelling can be.

Good clean copy with fast delivery.

Sarah Philips undertook this research in Portland, during the mid-1990s. She puts in print words of art models themselves, which surprisingly hadn't happened much before. In the book we can read four more or less extended interviews with models, but dozens of conversations took place. Philips relates the models' words with interesting theoretical issues. It's a very enlightening book, since we come to know a very ignored and undervalued occupation. The book raises questions such as:Why are there more female than male art models?Is the myth that a model is an artist's mistress true?Is a model the same as a stripper?Does modeling objectify or degrade the person (usually the woman), as some feminists say?Why would nudity be empowering and boost the model's self-confidence?Why would someone do this job, normally part-time, since they could earn more money elsewhere? (In Portland, in the 1990s, they earned from $8.50 to $10 an hour.)Is modeling always passive?Why do most models underrate photography as "less artistic" than drawing, for instance?What's the role of pornography, especially on the internet, when handling photos of artistic nudity?What specific boundaries exist in personal space, verbal contact or eye contact when posing?What's the difference between a "sublimely" sensual pose and a blunt sex pose?How do models handle cold, and physical stressful or painful poses?How do models deal with erections and menstruation?There are no definite answers, but the discussion is really fascinating. Not all models agree upon all issues, and age and gender usually influence the answers.I think the core of the whole question is the fact that in art modeling there are new rules, for our everyday regulations are upside down: a person doesn't hide his/her nakedness, and the others ARE supposed to observe it. The boundary is the motto "nothing unusual is happening". Don't behave as if this situation is abnormal, surprising, sexually arousing or deserving lewd peeking. It's just natural for professional artists and models to work with nudity, which can make many newcomers and art students blush.Nudity in art is not for a particular physical aesthetics that discriminates all other bodies. It's not for sexuality, either. It's rather a celebration of the natural, general beauty of every human body, no matter its shape, color, size or other specific characteristics.I am a painter myself, and I always work with the female nude. I can say that I am grateful to my models for their good work and professionalism. They are the body of my art, and they inspire its soul. As the model "Michael" says in the book: "If it wasn't for us, we wouldn't have a lot of the greatest works of art." For all the curious, and all of us artists who work with models, this book is necessary to understand, not stigmatize this indispensable job, in the models' own words.

A book about nude art modeling might be expected to be of little serious sociological interest, but this book zeros in on the central questions that arise concerning how and why otherwise ordinary people choose a role so misunderstood by the majority culture in the US, and find in it fulfillment, creativity, fun, and pride. Nothing highlights the assumptions and prejudices of a society better than a contrary instance, and what happens in a figurative art studio is a perfect example. Along the way, a useful list of what an aspiring art model needs to know and do is presented, better than any dry list in a how-to manual.The only limitation is that this is the reporting of interviews during a particular period (before widespread internet use?) and in a particular place (Portland, OR; certainly not typical).

Very through review of a job that many people feel they could not do; yet many people have little understanding of.

I enjoyed the book because I am an art model and it was great to read about models and their experiences. I thought it was great that the book covered a broad spectrum of issues related to life art models. I wish the interviews with models would have covered more locations than just 1 city.I would recommend the book to any art model or anyone interested in becoming an art model. Would also recommend to artists who use art models.

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